
This Is Clarence Carter
Clarence Carter, blind from birth, was a blues singer with lascivious wit, a talented guitarist, a songwriter with a twinkle in his eye, and a champion of down-to-earth soul grooves who taught himself to play the guitar.
He sang in a gospel choir, completed a degree in music, and grounded the duo Clarence and Calvin but was not however very successful.
After a car crash involving Calvin Scott, Carter started on a solo career and signed a contract with Rick Hall and the Fame label as a soloist.
Among the earliest singles recorded at the Muscle Shoals studio were a few hits. After leaving Fame for Atlantic, he managed to enter the Top 20 of the R&B charts with "Looking For A Fox". His breakthrough came with "Slip Away", which sold a million copies and was awarded a Gold Record.
The legendary Fame Studios in Muscle Shoals remained the home basis, as it were, for Carter during his career with Atlantic. "This IsâŠ" begins with a contemplative, soft sound. "Do What You Gotta Do", written by Jim Webb, is a lovely, melancholic mid-tempo ballad, saturated with Barry Beckettâs keyboard and smothered by lush, plaintive winds.
But the man is primarily funky here ⊠as three danceable, finger-snapping tracks prove; "Wind It Up", with further witty improvisations and a fervid organ solo, the highly syncopated, playful "Thread The Needle", and the smoky, irresistible "Funky Fever" â all written by Carter himself.
Dan Pennâs and Spooner Oldhamâs "Slippinâ Around" has an unorthodox bossa nova-like beat that is reminiscent of Ray Charlesâs "Whatâd I Say", while Carterâs unmistakable chuckle is to be heard for the first time on the riotous funk-rock number "Iâm Qualified", which has the very same unique, infectious groove as was to be heard on Wilson Pickettâs "In The Midnight Hour". "She Ainât Gonna Do Right", composed by the same man, brings more Alabama Country to the mix, whereby Beckett contributes a catchy, persistent organ riff in the refrain.
Soul, blues, funk, R and B â a gigantic album from a giant of the genre.
Recording: 1968 at Fame Studios, Muscle Shoals, AL, by Rick Hall Production: Rick Hall
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Description
Clarence Carter, blind from birth, was a blues singer with lascivious wit, a talented guitarist, a songwriter with a twinkle in his eye, and a champion of down-to-earth soul grooves who taught himself to play the guitar.
He sang in a gospel choir, completed a degree in music, and grounded the duo Clarence and Calvin but was not however very successful.
After a car crash involving Calvin Scott, Carter started on a solo career and signed a contract with Rick Hall and the Fame label as a soloist.
Among the earliest singles recorded at the Muscle Shoals studio were a few hits. After leaving Fame for Atlantic, he managed to enter the Top 20 of the R&B charts with "Looking For A Fox". His breakthrough came with "Slip Away", which sold a million copies and was awarded a Gold Record.
The legendary Fame Studios in Muscle Shoals remained the home basis, as it were, for Carter during his career with Atlantic. "This IsâŠ" begins with a contemplative, soft sound. "Do What You Gotta Do", written by Jim Webb, is a lovely, melancholic mid-tempo ballad, saturated with Barry Beckettâs keyboard and smothered by lush, plaintive winds.
But the man is primarily funky here ⊠as three danceable, finger-snapping tracks prove; "Wind It Up", with further witty improvisations and a fervid organ solo, the highly syncopated, playful "Thread The Needle", and the smoky, irresistible "Funky Fever" â all written by Carter himself.
Dan Pennâs and Spooner Oldhamâs "Slippinâ Around" has an unorthodox bossa nova-like beat that is reminiscent of Ray Charlesâs "Whatâd I Say", while Carterâs unmistakable chuckle is to be heard for the first time on the riotous funk-rock number "Iâm Qualified", which has the very same unique, infectious groove as was to be heard on Wilson Pickettâs "In The Midnight Hour". "She Ainât Gonna Do Right", composed by the same man, brings more Alabama Country to the mix, whereby Beckett contributes a catchy, persistent organ riff in the refrain.
Soul, blues, funk, R and B â a gigantic album from a giant of the genre.
Recording: 1968 at Fame Studios, Muscle Shoals, AL, by Rick Hall Production: Rick Hall












