

Tarantula
Written in 1966, Tarantula is a collection of poems and prose that evokes the turbulence of the times in which it was written, and gives a unique insight into Dylanâs creative evolution.
âThe good samaritan coming in with the words âround & round we goâ tattoed on his cheek / he tells the senator to stop insulting the lawyer.â
Tarantula captures Bob Dylanâs preoccupations at a crucial juncture in his artistic development, showcasing the antic imagination of a folk poet laureate who was able to combine the humanity and compassion of his country roots with the playful surrealism of modern art. Angry, funny and strange, the poems and prose in this collection reflect the concerns we find in Dylanâs most seminal music: a sense of protest, a verbal playfulness and spontaneity, and a belief in the artistic legitimacy of chronicling everyday life and eccentricity on the street.
âTarantulaâ never made its publication date in Autumn 1966. To the delays added by Dylanâs constant revisions was added the greater complication of his motorcyle accident â which left him with still undisclosed injuries and kept the book from publication until 1971. In the interim, it became a cult phenomenon, with âbooklegâ editions photocopied from reviewer proofs circulating throughout the musical and literary demi-mondes. Reissued to coincide with the paperback release of âChronicles Volume 1â, âTarantulaâ will finally find the wider audience it deserves.
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Description
Written in 1966, Tarantula is a collection of poems and prose that evokes the turbulence of the times in which it was written, and gives a unique insight into Dylanâs creative evolution.
âThe good samaritan coming in with the words âround & round we goâ tattoed on his cheek / he tells the senator to stop insulting the lawyer.â
Tarantula captures Bob Dylanâs preoccupations at a crucial juncture in his artistic development, showcasing the antic imagination of a folk poet laureate who was able to combine the humanity and compassion of his country roots with the playful surrealism of modern art. Angry, funny and strange, the poems and prose in this collection reflect the concerns we find in Dylanâs most seminal music: a sense of protest, a verbal playfulness and spontaneity, and a belief in the artistic legitimacy of chronicling everyday life and eccentricity on the street.
âTarantulaâ never made its publication date in Autumn 1966. To the delays added by Dylanâs constant revisions was added the greater complication of his motorcyle accident â which left him with still undisclosed injuries and kept the book from publication until 1971. In the interim, it became a cult phenomenon, with âbooklegâ editions photocopied from reviewer proofs circulating throughout the musical and literary demi-mondes. Reissued to coincide with the paperback release of âChronicles Volume 1â, âTarantulaâ will finally find the wider audience it deserves.












