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Shaving A Dead Man

Shaving A Dead Man

Produced by Chance McCoy (Old Crow Medicine Show), Shaving A Dead Man embraces and exuberates in old-time Appalachian folk music. Featuring dark Appalachian fiddle and banjo, Americana gothic drones, and whimsically macabre artwork. The repertoire is heirloom, but newcomers to the old-time genre will hear a hypnotic snap and sway in the silvery plunk of JP’s banjo, a spectral, bluesy emotion in McCoy’s fiddle, and songs with lyrics that conjure something mythical, mysterious, and sometimes murderous.

ā€œThis album offers an identifiable element to people who want to access old-time, not necessarily through Smithsonian field recordings. I'm not just some museum-quality reproduction piece. Planting this flag in the mud is saying that I’m still a fringe element, even if I am a traditional roots musician. It makes it identifiable to the next generation of little weird music kids like me.ā€ - JP Harris

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Produced by Chance McCoy (Old Crow Medicine Show), Shaving A Dead Man embraces and exuberates in old-time Appalachian folk music. Featuring dark Appalachian fiddle and banjo, Americana gothic drones, and whimsically macabre artwork. The repertoire is heirloom, but newcomers to the old-time genre will hear a hypnotic snap and sway in the silvery plunk of JP’s banjo, a spectral, bluesy emotion in McCoy’s fiddle, and songs with lyrics that conjure something mythical, mysterious, and sometimes murderous.

ā€œThis album offers an identifiable element to people who want to access old-time, not necessarily through Smithsonian field recordings. I'm not just some museum-quality reproduction piece. Planting this flag in the mud is saying that I’m still a fringe element, even if I am a traditional roots musician. It makes it identifiable to the next generation of little weird music kids like me.ā€ - JP Harris