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Patternmaster

Patternmaster

In his review of Mark Turner’s last quartet effort for ECM, 2022’s Return From The Stars, the Swiss dailyĀ Weltwoche’s Peter Ruedi described the program as ā€œthe leanest, most concentrated, and most inspired improvisedĀ chamber music imaginable.ā€ It’s a fitting description of the tenor saxophonist’s powerful quartet endeavors, whichĀ seem to have arrived at their most sophisticated and hard-hitting on Patternmaster, an album that in many respectsĀ feels like a continuation and expansion of the group’s last recording. Both boundless improvisation and cool controlĀ are driving motors behind a quartet that has molded its common musical understanding over years on the road andĀ in the studio. ā€œThe more you trust, the more chances you can take and the deeper you can go with people,ā€ says theĀ leader, who feels that within this group’s chemistry he can go ā€œbeyond craft and gage into the art of music more inĀ depth.ā€

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In his review of Mark Turner’s last quartet effort for ECM, 2022’s Return From The Stars, the Swiss dailyĀ Weltwoche’s Peter Ruedi described the program as ā€œthe leanest, most concentrated, and most inspired improvisedĀ chamber music imaginable.ā€ It’s a fitting description of the tenor saxophonist’s powerful quartet endeavors, whichĀ seem to have arrived at their most sophisticated and hard-hitting on Patternmaster, an album that in many respectsĀ feels like a continuation and expansion of the group’s last recording. Both boundless improvisation and cool controlĀ are driving motors behind a quartet that has molded its common musical understanding over years on the road andĀ in the studio. ā€œThe more you trust, the more chances you can take and the deeper you can go with people,ā€ says theĀ leader, who feels that within this group’s chemistry he can go ā€œbeyond craft and gage into the art of music more inĀ depth.ā€