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Nearly

Nearly

Nearly finds Bullion embracing the beauty of imperfection. After years spent helping define the sound of contemporary avant-pop as a cult producer (Avalon
Emerson, Carly Rae Jepsen, Westerman, Ben Howard, and Oliver Sim of the XX),
Nathan Jenkins emerges from behind the board to deliver his most distilled album yet - a collection of starry-eyed, timeless electronic pop songs about change, desire, responsibility, and creativity as an irresistible force. It's a celebration of songwriting and craftsmanship from an artist whose distinct vision of pop has always found complexity in restraint.

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Nearly
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Nearly finds Bullion embracing the beauty of imperfection. After years spent helping define the sound of contemporary avant-pop as a cult producer (Avalon
Emerson, Carly Rae Jepsen, Westerman, Ben Howard, and Oliver Sim of the XX),
Nathan Jenkins emerges from behind the board to deliver his most distilled album yet - a collection of starry-eyed, timeless electronic pop songs about change, desire, responsibility, and creativity as an irresistible force. It's a celebration of songwriting and craftsmanship from an artist whose distinct vision of pop has always found complexity in restraint.