
Luca
Everything changed for Alex Maas in 2018. That was the year his first child was bornâa happy and healthy baby boyâsending The Black Angelsâ vocalist and multi-instrumentalist into a flurry of emotions he hadnât felt before. There was the joy, of course, and the sheer awe that comes with creating new life. But to a lesser degree, there was also the fear: What world is his son going to grow up into, exactly? And how can Maas protect him from the dangers within it? Maas and his wife named their son Luca, which means âbringer of light,â and when it came time for Maas to title his debut solo album, he knew there was only one choice. A swirl of meditative thoughts about the cosmic interplay of the universe, Luca is an album informally dedicated to its creatorâs son, and directly inspired by the humbling reveries that were brought out by him. Itâs also just a powerful work of gentle psychedelia, and a notable sonic departure from the heavy, pulse-raising sound that Maas and The Black Angels have become renowned for. The album was inspired by acts that vary from The Everly Brothers to Portishead. Opener âSlip Intoâ delivers extraterrestrial themes over a funky beat and an eerie synth line. (âLook how the sun kills stars / Thatâs just the way we are,âMaas sings.) â500 Dreamsâ is a lullabye for Luca that would have bowled people over in a Greenwich Village cafe circa 1961. The project was a long time coming: Some of the songs date back almost a decade, when the idea of a solo album was still just a star in the sky. But once Maas committed to the project in earnest a few years ago, he started putting it together piece by piece, enlisting an all-star list of collaborators to record at Spaceflight Studios in Austin: Luca was co-produced with Maas by Jack Whiteâs front of house engineer Brett Orrison, and features contributions from Widespread Panic drummer Duane Trucks, The Sword bassist Bryan Ritchie (on mellotron and bass), Jack White keys player Quincy McCrary (on strings and piano), vocalist Jazz Mills, Eels drummer Derek Brown, Golden Dawn Arkestra drummer Robb Kidd, and The Black Angelsâ own Christian Bland and Jake Garcia. Former Black Angels member Nate Ryan also plays on the album. Being released into a world that only seems to be getting scarier, Luca is a balm for the weary, partially because it doesnât shy away from confronting tough subjects. But like Maas says, itâs not all bad. Not even close. And there will be a way forward, one way or another.âWeâre all navigating weird waters right now,â Maas says. âIâm trying to just go wherever the flow of the water is going.
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Everything changed for Alex Maas in 2018. That was the year his first child was bornâa happy and healthy baby boyâsending The Black Angelsâ vocalist and multi-instrumentalist into a flurry of emotions he hadnât felt before. There was the joy, of course, and the sheer awe that comes with creating new life. But to a lesser degree, there was also the fear: What world is his son going to grow up into, exactly? And how can Maas protect him from the dangers within it? Maas and his wife named their son Luca, which means âbringer of light,â and when it came time for Maas to title his debut solo album, he knew there was only one choice. A swirl of meditative thoughts about the cosmic interplay of the universe, Luca is an album informally dedicated to its creatorâs son, and directly inspired by the humbling reveries that were brought out by him. Itâs also just a powerful work of gentle psychedelia, and a notable sonic departure from the heavy, pulse-raising sound that Maas and The Black Angels have become renowned for. The album was inspired by acts that vary from The Everly Brothers to Portishead. Opener âSlip Intoâ delivers extraterrestrial themes over a funky beat and an eerie synth line. (âLook how the sun kills stars / Thatâs just the way we are,âMaas sings.) â500 Dreamsâ is a lullabye for Luca that would have bowled people over in a Greenwich Village cafe circa 1961. The project was a long time coming: Some of the songs date back almost a decade, when the idea of a solo album was still just a star in the sky. But once Maas committed to the project in earnest a few years ago, he started putting it together piece by piece, enlisting an all-star list of collaborators to record at Spaceflight Studios in Austin: Luca was co-produced with Maas by Jack Whiteâs front of house engineer Brett Orrison, and features contributions from Widespread Panic drummer Duane Trucks, The Sword bassist Bryan Ritchie (on mellotron and bass), Jack White keys player Quincy McCrary (on strings and piano), vocalist Jazz Mills, Eels drummer Derek Brown, Golden Dawn Arkestra drummer Robb Kidd, and The Black Angelsâ own Christian Bland and Jake Garcia. Former Black Angels member Nate Ryan also plays on the album. Being released into a world that only seems to be getting scarier, Luca is a balm for the weary, partially because it doesnât shy away from confronting tough subjects. But like Maas says, itâs not all bad. Not even close. And there will be a way forward, one way or another.âWeâre all navigating weird waters right now,â Maas says. âIâm trying to just go wherever the flow of the water is going.












