

Hi
Artist, painter, curator Leo Vincent, is fired up off the back of supporting Soulwax, on their recent Paris and Netherlands shows. Proudly presenting two debut songs âHello itâs me againâ and âLoving isnât easyâ, co-produced with the brothers, David and Stephen Dewaele, of Soulwax/2manydjs.
Seven years ago, Leo Vincent bluffed his way into a video editing job at Deewee. Despite being told to not touch or ruin their gear, he later resurfaced with demos that sounded like he had anyway.
"Donât know much about historyâ
"Donât know much about biographies"
But we do know that by the time Leo Vincent arrives in your town, he will probably have destroyed two more Tascam 8-tracks.
Brussels-based, failed goalkeeper-turned-painter-turned-cameraman-turned-musician Leo, doesnât seem to be afraid to leave his faders in the red zone for an unorthodox period of time while repairing the pitch knob. Some say itâs disco for night janitors. Some say itâs glam-rock for ravers. Others havenât found the time to listen yet because they have real jobs.
But to fully grasp Leo Vincent's essence, imagine yourself sitting in the home cinema of the late Marc Bolan while watching a documentary on Scatman John, directed by Jacques Tati and scored by Ween, using only the instruments of Cabaret Voltaire.
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Description
Artist, painter, curator Leo Vincent, is fired up off the back of supporting Soulwax, on their recent Paris and Netherlands shows. Proudly presenting two debut songs âHello itâs me againâ and âLoving isnât easyâ, co-produced with the brothers, David and Stephen Dewaele, of Soulwax/2manydjs.
Seven years ago, Leo Vincent bluffed his way into a video editing job at Deewee. Despite being told to not touch or ruin their gear, he later resurfaced with demos that sounded like he had anyway.
"Donât know much about historyâ
"Donât know much about biographies"
But we do know that by the time Leo Vincent arrives in your town, he will probably have destroyed two more Tascam 8-tracks.
Brussels-based, failed goalkeeper-turned-painter-turned-cameraman-turned-musician Leo, doesnât seem to be afraid to leave his faders in the red zone for an unorthodox period of time while repairing the pitch knob. Some say itâs disco for night janitors. Some say itâs glam-rock for ravers. Others havenât found the time to listen yet because they have real jobs.
But to fully grasp Leo Vincent's essence, imagine yourself sitting in the home cinema of the late Marc Bolan while watching a documentary on Scatman John, directed by Jacques Tati and scored by Ween, using only the instruments of Cabaret Voltaire.












