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Chronicles From The Arab Cold War

Chronicles From The Arab Cold War

Pharoah Chromium is the project of German-Palestinian musician and sonic performer Ghazi Barakat. With Chronicles from the Arab Cold War Pharoah Chromium continues his long-standing engagement with the Palestinian cause, following Gaza (LP, self-released 2015) and Jean Genet à Chatila (7”, self-released 2018). 

In the summer of 2023, new material began to take shape from a session with flutes, EWI (an analogue synth played like a wind instrument), and belly dancing beats. At first these were instrumentals, waiting for their context. That frame appeared unexpectedly, through the discovery of Chants RĂ©volutionnaires d’Oman on the French label Expression SpontanĂ©e — a record that connected seamlessly with the material at hand. 

As you listen, Side A reveals its dedication to the children of Gaza. Without exploiting recordings from an ongoing genocide, the music instead channels hope through the voices of Omani children, offering a vision of resilience and possibility in the Middle East. 

Side B grows darker, more funerary, reflecting the escalation of the conflict after October 7. Trumpeter Philipp Selalmazidis, a recent collaborator, appears throughout these sessions, adding weight and urgency. Over time, the adolescent voices of the A side give way to adult voices, filling the space with anger and ideological rhetoric — a stark progression from innocence to confrontation. 

This is a record that refuses detachment: a work of mourning, resistance, and improbable connections that insists on listening as an act of witness. 

 

$18.70

Original: $53.44

-65%
Chronicles From The Arab Cold War—

$53.44

$18.70

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Pharoah Chromium is the project of German-Palestinian musician and sonic performer Ghazi Barakat. With Chronicles from the Arab Cold War Pharoah Chromium continues his long-standing engagement with the Palestinian cause, following Gaza (LP, self-released 2015) and Jean Genet à Chatila (7”, self-released 2018). 

In the summer of 2023, new material began to take shape from a session with flutes, EWI (an analogue synth played like a wind instrument), and belly dancing beats. At first these were instrumentals, waiting for their context. That frame appeared unexpectedly, through the discovery of Chants RĂ©volutionnaires d’Oman on the French label Expression SpontanĂ©e — a record that connected seamlessly with the material at hand. 

As you listen, Side A reveals its dedication to the children of Gaza. Without exploiting recordings from an ongoing genocide, the music instead channels hope through the voices of Omani children, offering a vision of resilience and possibility in the Middle East. 

Side B grows darker, more funerary, reflecting the escalation of the conflict after October 7. Trumpeter Philipp Selalmazidis, a recent collaborator, appears throughout these sessions, adding weight and urgency. Over time, the adolescent voices of the A side give way to adult voices, filling the space with anger and ideological rhetoric — a stark progression from innocence to confrontation. 

This is a record that refuses detachment: a work of mourning, resistance, and improbable connections that insists on listening as an act of witness. 

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