


Cherry
London-based Swedish singer-songwriter Josefin Ăhrn (previously of Grammy nominated Josefin Ăhrn + The Liberation) releases her debut album Cherry featuring vocals from Bobby Gllespie (Primal Scream) and Anton Newcombe (The Brian Jonestown Massacre), with guitar from Andy Bell (Ride).
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Josefinâs most intimate and self-defined album yet, Cherry explores themes of fresh starts, desire, love and grief. It taps into a new and very interesting phase of music, seen on recent releases from Robyn (Sexistential) and Lykke Li (The Afterparty), where the experiences of women are put out there without shame in colourful candidness, such records tap into a fascinating period of raw, intense and highly transformative self-actualization.
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Josefin wrote the songs on Cherry during a new phase of her life, it captures the sense of liberty, excitement and vulnerability that comes with such a re-birth. Explored with an intensity thatâs sensual, vulnerable and unguarded. At its core lies the female gaze â not as a concept, but a lived experience with a sense of longing running through the album like a pulse: a longing for connection, for freedom.
Musically, Cherry has echoes of the hypnotic psych-rock of Josefinâs previous band Josefin Ohrn + The Liberation (Rocket Recordings) but the arrangements, structures and mixing on Cherry are less avant-garde and closer to the laid-back atmospheres of Kurt Vile, Lana Del Rey or Natalie Bergman with clear hooks and with Josefinâs voice standing front and centre â intimate, magnetic, unwavering â which allows for the albumâs stark emotional immediacy.
Â
Josefin personally asked Kalle Jerneholm Gustavsson (Soundtrack Of Our Lives), who she had worked with previously, to produce the album. âWe recorded it in his studio, Svenska Grammofonstudion, Gothenburg. Itâs an amazing studio where artists can stay, so I was totally living the album, breathing music every waking and sleeping hour as I was far away from my everyday life in Londonâ explains Josefin. âIt was a beautiful experience.ââš
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Description
London-based Swedish singer-songwriter Josefin Ăhrn (previously of Grammy nominated Josefin Ăhrn + The Liberation) releases her debut album Cherry featuring vocals from Bobby Gllespie (Primal Scream) and Anton Newcombe (The Brian Jonestown Massacre), with guitar from Andy Bell (Ride).
Â
Josefinâs most intimate and self-defined album yet, Cherry explores themes of fresh starts, desire, love and grief. It taps into a new and very interesting phase of music, seen on recent releases from Robyn (Sexistential) and Lykke Li (The Afterparty), where the experiences of women are put out there without shame in colourful candidness, such records tap into a fascinating period of raw, intense and highly transformative self-actualization.
Â
Josefin wrote the songs on Cherry during a new phase of her life, it captures the sense of liberty, excitement and vulnerability that comes with such a re-birth. Explored with an intensity thatâs sensual, vulnerable and unguarded. At its core lies the female gaze â not as a concept, but a lived experience with a sense of longing running through the album like a pulse: a longing for connection, for freedom.
Musically, Cherry has echoes of the hypnotic psych-rock of Josefinâs previous band Josefin Ohrn + The Liberation (Rocket Recordings) but the arrangements, structures and mixing on Cherry are less avant-garde and closer to the laid-back atmospheres of Kurt Vile, Lana Del Rey or Natalie Bergman with clear hooks and with Josefinâs voice standing front and centre â intimate, magnetic, unwavering â which allows for the albumâs stark emotional immediacy.
Â
Josefin personally asked Kalle Jerneholm Gustavsson (Soundtrack Of Our Lives), who she had worked with previously, to produce the album. âWe recorded it in his studio, Svenska Grammofonstudion, Gothenburg. Itâs an amazing studio where artists can stay, so I was totally living the album, breathing music every waking and sleeping hour as I was far away from my everyday life in Londonâ explains Josefin. âIt was a beautiful experience.ââš












