

Blason
Before long the fireflies were being released continuously from the top of the tower. âContinuouslyâ was not really the right word, for the men who were gathering a handful of fireflies at a time before tossing them out had trouble catching them â or perhaps deliberately calculated the timing â so that the crowdâs excitement would surge up, ebb again, then rise still higher. Kawabata Yasunari â The LakeÂ
âBoundary Missing a Reactorâ is the studio version of our live concerts which took place in 2022 (Non-Jazz at Le GĂ©nĂ©rateur in Gentilly, Sept. 30 at Blockhaus DY10 in Nantes, etc.). These concerts were conceived as failed/illusory attempts to reproduce our previous LP in a live setting. The result turned out to be so far from the intended target that it seemed to us it deserved to become a piece in its own right. âBoundary missing a reactorâ is a condensed/crystallized form of the music we were playing at that time.Â
âHow to drink Gyokuro with a casual mindâ is a piece born from the preparatory sessions for the concert given at PrĂ©sences Ălectronique in March 2024, recorded at the INA GRM studios shortly before. Its title could evoke the musiciansâ state of mind during those sessions, that of the listener, or a tasting tip poorly translated from Japanese.First of all, we just do things, and then whatever we might say about it afterwards is really just what we think about once weâve done it, but the sequence of it is that we make music first, and then afterwards we think about what weâve done.Â
He felt faint, as if wrapped in the five-coloured clouds on which Amida Buddha rides to receive the spirits of true believers. This exquisite fantasy lasted only an instant. â The LakeÂ
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Before long the fireflies were being released continuously from the top of the tower. âContinuouslyâ was not really the right word, for the men who were gathering a handful of fireflies at a time before tossing them out had trouble catching them â or perhaps deliberately calculated the timing â so that the crowdâs excitement would surge up, ebb again, then rise still higher. Kawabata Yasunari â The LakeÂ
âBoundary Missing a Reactorâ is the studio version of our live concerts which took place in 2022 (Non-Jazz at Le GĂ©nĂ©rateur in Gentilly, Sept. 30 at Blockhaus DY10 in Nantes, etc.). These concerts were conceived as failed/illusory attempts to reproduce our previous LP in a live setting. The result turned out to be so far from the intended target that it seemed to us it deserved to become a piece in its own right. âBoundary missing a reactorâ is a condensed/crystallized form of the music we were playing at that time.Â
âHow to drink Gyokuro with a casual mindâ is a piece born from the preparatory sessions for the concert given at PrĂ©sences Ălectronique in March 2024, recorded at the INA GRM studios shortly before. Its title could evoke the musiciansâ state of mind during those sessions, that of the listener, or a tasting tip poorly translated from Japanese.First of all, we just do things, and then whatever we might say about it afterwards is really just what we think about once weâve done it, but the sequence of it is that we make music first, and then afterwards we think about what weâve done.Â
He felt faint, as if wrapped in the five-coloured clouds on which Amida Buddha rides to receive the spirits of true believers. This exquisite fantasy lasted only an instant. â The LakeÂ












